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June 09, 2008succumbing to the siren lure of serious dance coutureI had left for DSI three hours early, expecting to arrive in plenty of time, get some work done and scout out the location before anyone else arrived. Instead the traffic was so bad that I scraped in five minutes late.
As it was a photo-only assignment for Dance Today my preparation had been centred around camera and memory chips. I had given so little thought to the fact that I might like what I saw or that the dresses were there to be purchased that I hadn’t thought to bring money or credit cards.
That was probably just as well. Slinky and seductive, flirtatiously feathered, rushed and ruffled, sequined and stunning, there were so many glorious, glamorous, gorgeous gowns that the impact felt as I imagine cartoon characters feel when a piano is dropped on their head.
The assignment was to take photos of Carole who was spending a day at Dance-Sport International and of Erin Boag who she didn’t know would be visiting at the same time. Carole was surprised that the event would make an article. “I would have thought that it was obvious. Surely everyone would want to spend a day here”. If they’re into ballroom or Strictly Come Dancing that’s probably true, but it took John (Carole’s dance partner) to think of it and Katie the Editor to agree.
I hope that Carole enjoyed her day as much as I did mine. She’s a lovely lady who shares her passion for ballroom dance by teaching it to kids at school. I found Erin to be genuine, gentle, charming and grounded and got a real insight into the business of dance couture. Then, at the end, when I was sure I had enough good quality photos to satisfy the commission I succumbed and tried on a couple of dresses myself.
Posted by carole at 08:42 PM
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June 06, 2008silent tangoOne of the really exciting aspects of this year’s Big Dance celebrations is a silent tango event that will involve hundreds of people dancing tango on seven bridges and seven stations throughout London on July 7th. Almost a tango flashmob, while the dancers will hear the same music through converted earphones, the rush-hour onlookers will not. Monica and Omar were to open the launch by dancing on London Bridge at 6.00pm after which an hour-long milonga would be held for anyone interested. I knew the words would come easily but getting good images posed more of a challenge and that's why I took the difficult decision to cover this evening's launch without participating would normally be the case. I was still regretting the impracticality of doing both while checking camera and equipment during the late afternoon.
Even though dance photography’s my speciality this shoot was one of the most difficult I’ve done. It wasn’t because the TV people kept changing their minds as to the best place to film or that photographers from the big London papers got in the way. The latter were charming and accommodating and the apparent indecision of the former will make a much better story. I had scouted the angles before it all started and the concentration and adrenaline involved in getting the right shot was sufficiently consuming that my ill health was temporarily set aside. The challenge was to keep each composition framed whilst being jogged or walked into by rush-hour commuters, and to time each shot to coincide with completed dance moves whilst passers by walked between the camera and the dancers or behind the dancers but obscuring the landmarks entirely.
I got some reasonable shots and learned a lot, the best of which I’m saving for later. Monica gave AgentSimon her tangocommute connectors and he asked if I’d dance. What could I do but say yes…. But that’s another story - one which I’m hoping to sell.
Posted by carole at 01:08 AM
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