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![]() What makes a good tango image? Carole Edrich speculates as some of her own tango photographs go on exhibition... |
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What makes a good tango image? Should it reflect the sensuality of two bodies moving as one, the intimacy of the close embrace or the panoply of emotions shown by facial expressions and body language? Should it chart intellectual or unconscious values or rely on the interpretation of others? Will others see what I do, in an image of one lady's hand resting on the back of her Lead? Will they feel what I do about the interplay of light and shadow made by superbly symmetrical steps? Should I merely follow standard preconceptions that that tango is passion or try to convey a dancers' desire for intimacy or the unreadable emotions of a solitary watcher, alone in the dark. How best to find images that avoid the clichés while appealing equally to professional tangueros, regular dancers and passers-by alike? Close-ups of two people dancing together show the intimacy of the dance and often reveal what they’re thinking or feeling but while human faces are endlessly fascinating and as diverse as one could possibly imagine, it’s easy for a casual observer to think they’re simply hugging. Shots of entwined legs well represent all that is passion for the uninitiated, but are classic clichés for those in the know. Looking deeper, those who have danced in the traditional salons of Buenos Aires know that little can beat the sensual subtlety of a well-led walk. Finding images that reflect the heady sensuality of such tiny, delicate movements is as challenging as representing the difference between the anticipation of those who have just arrived and the watchful waiting of those already seeking the partner with whom they can meld and find that elusive sensation when the walls spin and the world fades away.
![]() © Carole Edrich
![]() © Carole Edrich
![]() © Carole Edrich
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