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![]() and the Vaganova Academy by Jeffery Taylor Former dancer, Critic and an Arts feature writer for the |
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When the Kirov Ballet, the company she ruled as Prima Ballerina Assoluta for over two decades, visits Britain this year, first to Manchester's The Lowry in May then the Royal Opera House in London two months later, the great dancer will be absent. Back home in St Petersburg, instead of figure hugging tutus and elaborate tiaras, Asylmuratova, 42, will be wearing a floppy tracksuit while her chestnut hair free falls round her face as she sits in her 5th floor office as artistic director of the Vaganova Ballet Academy. "I really hate the paper work",
"Of course I miss dancing and it must appear a strange job for me, I know", she adds. "But I really love ballet and in a very real sense I feel I am the channel for the future."
"Every day I watch the classes to assess the students , and the teachers progress. I talk all the time about my ideas and what I imagine for the future. You only have to see videos of both Galina Ulanova in the 1930s and my performances to see that ballet is always changing. That is why I am here". And it is clear from the awed curtseys and respectful bows from those of the 300 students Asylmuratova passes on her way through her corridors of power that her presence, even after just three years, carries a serious cachet even for those too young to have seen her dance. Twenty two years ago, Asylmuratova married a fellow principal Kirov dancer, Konstantin Zaklinsky, and they have one daughter, Anastasia, 10, who will start at the Academy next year. Zaklinsky, 48, retired in 1995 and looked after Anastasia while his wife continued to tour the world. Now for the first time and often a recipe for disaster, both parents are at home in their apartment in one of the grandest city districts, the Peter and Paul Fortress area. "No problem", says Asylmuratova. "All our married life we have been together, at school and in the theatre. Even after
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