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With this in mind, I might have been expected to enjoy the 'Memories' triple bill - and indeed I did. In fact it was one of the most enjoyable multiple bills I have ever seen. Of course, unashamedly, I went to see Sylvie in 'Marguerite and Armand' (I was starting to panic that I haven't seen her for a while). One industrial definition of a 'grievance' is when reality fails to match expectation. From what I had read here and elsewhere, I was expecting to snooze off during the first two ballets until it was Sylvie's turn to come on. So, with expectations rock-bottom, I felt I had nothing to lose.

After the New World symphony, I suppose Antonin Dvorák is best known for his Slavonic dances, and it is perhaps suprising that we don't see more of his music used for dance. This piece was scored mainly (if not entirely) for strings and I thought it was delicately and subtlely chreographed. No fireworks, brisés or fouettées but a charming interpretation of the score in which you can relax and watch the dancing speak the music. Not only the principal melodies were danced, but it seemed even the sub-themes of the different sections of the orchestral range were catered for in the dance. Easy to fall into a dream-world of wispy skirts and pointe shoes. My lasting memory of these two ballets was what a wonderful dancer Leanne Benjamin has become.

Sylvie is Sylvie and always will be. I still get those mysterious tingles when I collect my cast sheet and see her name in print. And I was so glad to see her dancing with Jonathan Cope. But what about David Drew? Surely he now has earned the accolade "Master".