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About the Change

Gailene Stock

Director, Royal Ballet School

report by Gerald Dowler

Stock interviews

RBS Reviews

RBS in Postings

Ballet Association
(link to come)

I'm also very delighted to tell readers that this report christens a new and more close relationship between and the Ballet Association (BA), intended to promote the BA's work to a much larger audience.

In the future we will be carrying regular 'official' reports of the BA interviews/meetings both as posting, for speed and comment, but primarily as an important ingredient of our monthly magazine. We are also in the process of creating an enhanced page about the Association and how to join etc.... so if you've never been to a BA talk hopefully your will before too long - these reports having well wetted your appetite I'm sure!


Thursday night saw Gailene Stock, the new Director of the Royal ballet School speak to the ballet Association. It was a packed event and Miss Stock came over as an enthusiastic, clear-minded, level-headed natural leader who is already enthusing her charges with her vision.

That vision, she said, was for the RBS to stand (as it had done)amongst the top 2 or 3 schools in the world. The School's standards had slipped and she had introduced a new RBS syllabus, taking the best from the various syllabuses around, much in the same was de Valois had done initiallly when she first set up the School. The Russian-orientated system in place when she arrived had lead to strong dancers but not suited to the English repertoire with its speed and fast footwork. She had introduced more allegro and footwork classes and, for the boys, more pas de deux and gym-training so that they can not only dance well but also partner excellently. Her vision for the future grows from her deep love for the School, where she herself received training from Pamela May, Barbara Fewster and Maria Fay.

Miss Stock gave an entertaining and whistle-stop progress through her own career - she knew she wanted to dance from the age of 4 but contracted polio aged 8 and spent 18 months in an iron frame to be told she would never walk again, let alon dance. She determined to prove them wrong and did so, being offered a contract to join the Australian ballet by Pegy van Praagh. She accepted but them kept extending leave of absence to attend the RBS (classmates including Jenny Panny, Laura Connor and Lesley Collier), Denmark, with Erik Bruhn, France with a touring company and Italy. Having returned to Australia and become a Principal, she left after 7 years to dance in Canada, firstly with National ballet of Canada and then Royal Winnipeg. When she had her daughter, she didn't return to dancing but became Director of the Australian Ballet School, the Dean of the Performing College of the Arts and in 1998 was invited to become Director of the RBS.

Her appointment came a total surprise with the job offer coming by 'phone and the Deputy Chairman of the RBS insisting that she drop everything and fly to London. She managed that in 48 hours!

She is clearly delighted with the students and repeatedly stated that there were excellent British dancers coming through the School, especially the 17 year olds at present. Lots of tall boys and some beautifully proportioned girls. She wants them to have exposure by means of competition which is why she set up the Young British Dancer Competition which also tries to identify talent not yet at vocational dance institutions. The European Young Dancer, she felt was too weighted in favour of the Modern.

The School's matinee is not going to be a midweek peformance next year (horror stories about securing the past ones!) and was announced for Sunday 14th July. Miss Stock intends to put together 'A Hommage to our Heritage' programme...

She is excited about the new school building in Floral Street and has a very clear and determined idea about the future. She is very close to Ross Stretton (he was best man at her wedding) and her goal is for the RB companies to take the vast majority of their intake from the School. She wants to see the unified style she saw in her day. She insisted that she and Stretton would work closely together artisitically.

An excellent and lively speaker who was hugely impressive. There is, we all felt, great hope for the future.

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