Searching reviews based on the following;
		Production:	Les Noces

	Les Noces	07/12/11
	Lux Boreal Danza Contemporanea	USA, San Diego, Mandeville Auditorium
	Reviewer: Kris Eitland	sandiego.com Homepage
	Dancers: Lopez A, Lopez B
	"In program notes, she says she let Stravinsky’s haunting melodies and driving rhythms guide the dance movement. She also borrowed ideas from Mexican folklorico."
	Les Noces	30/03/11
	Juilliard Dance	USA, New York, Peter Jay Sharp Theater
	Reviewer: Marina Harss	The Faster Times Homepage
	"Seeing these dancers execute Nijinska’s repetitive, syncopated, stylized steps, was exhilarating."
	Les Noces, Valses Poeticos, Round of Angels, Carousel (A Dance)	01/05/09
	Joffrey Ballet	USA, Chicago, Auditorium Theatre
	Reviewer: Sid Smith	Chicago Tribune Homepage
	Dancers: Adamczyk, Calmels, Jaiani, Patterson
	"Carousel displays Wheeldon as both a formal innovator and an invigorating showman. He calls it a dessert, alluding to its easy appeal, but it's a stunner of breathtaking design, too, dazzling in ensemble arrangement while sly and sexy in the romance at the heart of the story."
	Les Noces, Valses Poeticos, Round of Angels, Carousel (A Dance)	01/05/09
	Joffrey Ballet	USA, Chicago, Auditorium Theatre
	Reviewer: Hedy Weiss	Chicago Sun-Times Homepage
	Dancers: Adamczyk, Calmels, Jaiani, Lopez, Nicholas, Patterson, Villanueva
	"While the overall flow of this mixed bill was something short of felicitous (it is the trickiest of arts to mix and match just the right conjunction of moods and musical contrasts), the performances in this eclectic lineup were impressive."
	The Stravinsky Project: Le Sacre du Printemps, Les Noces	07/06/08
	Michael Clark	USA, New York, RoseTheater
	Reviewer: Claudia La Rocco	New York Times Homepage
	Dancers: Coyne
	'(The themes) are also rather old-fashioned in their insistence on outré touches, especially “Mmm ...,” a 1992 dance reworked in 2006.....the Hitler mustache worn by the fierce Virgin (who is not sacrificed) feels oddly quaint.'
	Les Noces, Watermill, Dybbuk	16/05/08
	New York City Ballet (NYCB)	USA, New York, State Theater
	Reviewer: Clive Barnes	New York Post Homepage
	Dancers: De Luz, Hubbe, Morgan, Pfeiffer, Taylor, Veyette
	'('Watermill')is a dreamscape of the senses, influenced by both Japanese Noh drama and the theatrical adventures in time and space by avant-gardist Robert Wilson, with a man slowly (and I do mean slowly) reviewing the past circumstances of his life...'
	Piano Pieces, Les Noces, Andantino, Opus 19/The Dreamer, An American in Paris, Valse Triste, The Chairman Dances, Russian Seasons	12/05/08
	New York City Ballet (NYCB)	USA, New York, State Theater
	Reviewer: Alastair Macaulay	New York Times Homepage
	Dancers: Evans, Garcia, Gilliland, Mearns, Whelan
	Opus 19: "Ms. Whelan’s emphatic, harsh style is riveting and objectionable in equal measure. She often seems City Ballet’s most decisive artist and its most unappealingly awkward dancer at the same time."
	Andantino, Opus 19/The Dreamer, Piano Pieces, Les Noces	12/05/08
	New York City Ballet (NYCB)	USA, New York, State Theater
	Reviewer: Susan Walker	Toronto Star Homepage
	Dancers: Angle, De Luz, Fairchild, Garcia, Mearns, Whelan
	Opus 19: "Only 20 minutes long, it seems like a full-evening ballet narrative. Garcia partnered Whelan. The dance is spare, like the music, and Garcia played an ancient Greek god, a riveting hero perhaps inspired by Robbins' recollections of his clash with the House Un-American Activities Committee in 1953."
	Andantino, Opus 19/The Dreamer, Piano Pieces, Les Noces	12/05/08
	New York City Ballet (NYCB)	USA, New York, State Theater
	Reviewer: Joel Lobenthal	New York Sun Homepage
	Dancers: Angle, Carmena, De Luz, Fairchild, Garcia, Gilliland, Hanna, Mearns, Ramasar, Stafford, Whelan
	"Robbins’s old-country roots certainly were deep, and he was interested throughout his career in plumbing them, returning with increasing frequency to folk themes and folk dance vocabulary over the course of his career. But the works collected here do not show his roots’ most fruitful aesthetic abundance."
	Les Noces, Dido and Aeneas	29/06/07
	Aletta Collins and Opera North	UK, Salford, Lowry
	Reviewer: Ian Palmer	Ballet.co Magazine Homepage
	Dancers: Bickley, Collins
	"It is a mark of a choreographer’s genius that even when another refashions their work, the indelible signature of the originator remains so clearly stamped upon it..."
	Les Noces, Dido and Aeneas	14/05/07
	Aletta Collins and Opera North	UK, Leeds, Grand
	Reviewer: Martin Dreyer	This is York Homepage
	"Dance is also a vital element in Purcell's Dido. Here Collins makes the most of her opportunities. Whether as sailors or witches, the dancers convince: cleaner, smoother movement is much more persuasive."
	Les Noces, Dido and Aeneas	13/05/07
	Aletta Collins and Opera North	UK, Leeds, Grand
	Reviewer: Anthony Holden	The Observer Homepage
	"... a dozen dancers in black, six of each sex, conjure up a furious frenzy without obviously recreating the peasant wedding rituals Stravinsky had in mind."
	Les Noces, Dido and Aeneas	10/05/07
	Aletta Collins and Opera North	UK, Leeds, Grand
	Reviewer: Neil Fisher	The Times Homepage
	"... the physical vocabulary is limited, and the overall mood tame when it should be frenzied. On a Saturday night in Leeds there are more compelling mating rituals on the street."
	Les Noces, Dido and Aeneas	09/05/07
	Aletta Collins and Opera North	UK, Leeds, Grand
	Reviewer: George Hall	Guardian Homepage
	"Collins's choreography summons up images of competition and conflict both within and between the sexes. Much of it is aggressive, providing a perfect match with one of the composer's punchiest scores, and it is assertively executed."
	Les Noces, Dido and Aeneas	08/05/07
	Aletta Collins and Opera North	UK, Leeds, Grand
	Reviewer: Kevin Berry	The Stage Homepage
	"The dancing is spirited and expectant and ultimately ravishing."
	Trinity: Esquisses, Banderillero, Les Noces III	04/09/06
	Royal New Zealand Ballet (RNZB)	Australia, Melbourne, State Theatre
	Reviewer: Stephanie Glickman	Melbourne Stage Homepage
	Dancers: Baird, Braun, Boyle, Dalton
	"Les Noces is an excellent choice to close the evening, as it is the strongest, most full-bodied of the three works and beautifully conveys the passion and integrity of both the dancers and creative minds of the Royal New Zealand Ballet."
	Trinity: Esquisses, Banderillero, Les Noces III	25/08/06
	Royal New Zealand Ballet (RNZB)	Australia, Brisbane, Queensland Performing Arts Centre
	Reviewer: Shaaron Boughen	The Australian Homepage
	Dancers: Baird, Bradshaw, Braun, Chown, Huan, Kerr
	Les Noces: "The bride, Alana Baird, was richly articulate in the role and all the dancers managed the speed and angularity of the dance vocabulary with great precision, carrying the narrative with recognisable clarity."
	Trinity: Esquisses, Banderillero, Les Noces III	18/08/06
	Royal New Zealand Ballet (RNZB)	Australia, Sydney, Sydney Theatre
	Reviewer: Jill Sykes	Sydney Morning Herald Homepage
	"Christopher Hampson's Esquisses is a delightful curtain-raiser. Its 21st-century classicism gives the company a chance to show off its skills..."
	Trinity: Esquisses, Banderillero, Les Noces III	08/08/06
	Royal New Zealand Ballet (RNZB)	New Zealand, Auckland, ASB Theatre, The Edge
	Reviewer: Raewyn Whyte	New Zealand Herald Homepage
	Dancers: Samblaceno
	'In the New Zealand Ballet's 2006 triple bill programme we experience three different faces of the company, seeing it at its strongest for some time....Christopher Hampson's softly serene Esquisses, set to beautifully lambent piano studies by Charles-Valentin Alkan lets us observe the dancers closely...'
	An Evening of Russian Ballet: Raymonda Act III, Spring Waters, Gopak from Taras Bulba, Moszkowski Waltz, The Dying Swan, Le Corsaire pdd, Les Noces	16/05/06
	Boston Ballet (BB)	USA, Boston, Wang Theatre
	Reviewer: Jeffrey Gantz	Boston Phoenix Homepage
	Dancers: Gurevich, Jimenez, Rykine, Seneca
	"Karine Seneca’s Bride caught both Stravinsky’s depersonalization and Nijinska’s displacement, particularly in the first-tableau section where, crouching in profile, the Bride has to raise and lower herself like an elevator — Seneca hit every floor, with no stops in between."
	Les Noces	11/05/06
	Boston Ballet (BB)	USA, Boston, Wang Theatre
	Reviewer: Marcia B Siegel	The Boston Phoenix Homepage
	Dancers: Rykine, Seneca
	"You can’t say Les Noces is violent, but there’s discord, even menace, beneath its tightly controlled surface. The company achieved a thrilling sense of power, showing us ballet’s rarely invoked capacity to wound and heal and fortify."
	An Evening of Russian Ballet: Raymonda Act III, Spring Waters, Gopak from Taras Bulba, Moszkowski Waltz, The Dying Swan, Le Corsaire pdd, Les Noces	05/05/06
	Boston Ballet (BB)	USA, Boston, Wang Theatre
	Reviewer: Thea Singer	The Boston Globe Homepage
	Dancers: Atkins, Feijoo, Madrigal, Seneca
	"... it was Les Noces, staged by Aleth Francillon, former Paris Opera ballet master that took hold and wouldn't let go. With its classical roots and Russian folk elements, its heart-piercing singes and its thrumming geometric shifts it presented images - whether on point or flat-footed - that were indelible."
	An Evening of Russian Ballet: Raymonda Act III, Spring Waters, Gopak from Taras Bulba, Moszkowski Waltz, The Dying Swan, Le Corsaire pdd, Les Noces	05/05/06
	Boston Ballet (BB)	USA, Boston, Wang Theatre
	Reviewer: Theodore Bale	Boston Herald Homepage
	Dancers: Atkins, Beppu, Budzynski, Feijoo, Jimenez, Madrigal, Molina, Yanowsky
	"It’s without doubt the most crowd-pleasing program Boston Ballet has offered this season. Modestly titled “An Evening of Russian Ballet,” it’s also astonishingly intelligent."
	Les Noces, The Great Quiet, Valentine, Gloria	24/04/06
	Purchase College (University of New York) dance students	USA, New York, PerformingArts Center, Purchase College
	Reviewer: Jennifer Dunning	The New York Times Homepage
	Dancers: Bowie, Daane, Fehlandt, Rodney, Williams
	"The latest crop of fine Purchase College dancers under the direction of Carol K. Walker, who have gone on to fill American companies for many years, showed their stuff on Friday night in a thought-provoking program ..."
	Les Noces, Petrushka (Petrouchka)	24/11/05
	Compagnia Aterballetto	USA, New York, Brooklyn Academy of Music
	Reviewer: Deborah Jowitt	The Village Voice Homepage
	Dancers: Ataljanc, Broeckx, Daudel, Longo, Matteini, Zamorano
	"In both Bigonzetti works, the striking theatrical devices never add up to convincing narratives, let alone moving ones."
	Les Noces, Petrushka (Petrouchka)	17/11/05
	Compagnia Aterballetto	USA, New York, Brooklyn Academy of Music
	Reviewer: Robert Gottlieb	New York Observer Homepage
	"..the not-incompetent Bigonzetti raises a question: Why is his work so wrongheaded, given the combination of his (and his dancers') irrepressible energy and the absolute—and unwarranted—confidence his work exudes? The answer: Like so many maximalists, he lacks judgment and taste."
	Les Noces, Petrushka (Petrouchka)	11/11/05
	Compagnia Aterballetto	USA, New York, Brooklyn Academy of Music
	Reviewer: Apollinaire Scherr	Newsday Homepage
	"European choreographers of barefoot ballets have lighted upon an efficient way to assert their avant-garde pedigree: update the revolutionary Diaghilev works! But to advance a tradition of breaking tradition is a tricky business...."
	Les Noces, Petrushka (Petrouchka)	10/11/05
	Compagnia Aterballetto	USA, New York, Brooklyn Academy of Music
	Reviewer: Jennifer Dunning	The New York Times Homepage
	Dancers: Ataljanc, Cherradi, Daudel, Matteini, Zamorano, Broeckx, Longo
	"He has modernized the works so they look like a great deal of European choreography of an era influenced by the antiseptic stylings of Jiri Kylian and Glen Tetley..."
	Les Noces, Petrushka (Petrouchka)	04/11/05
	Compagnia Aterballetto	USA, Princeton, NJ, McCarter Theater
	Reviewer: Robert Johnson	Newark Star Ledger Homepage
	Dancers: Ataljanc, Daudel, Matteini, Zamorano
	"The absence of a spiritual dimension, intrinsic to the Russian originals, deprives both ballets of their redemptive satisfaction."
	Billy the Kid, Ella, Double Happiness, Les Noces, Les Biches	22/10/05
	Oakland Ballet	USA, Oakland, Calvin Simmons Theatre
	Reviewer: Renee Renouf	Ballet.co Magazine Homepage
	Dancers: Dugger III, Jarrett, Linzer, Sheppard, Tierney, Venturo, Williams, Goodman, Omori, Takahashi
	"It’s safe to say the evening deserved its bravos and almost hysterical ovation by an audience grateful to see Oakland Ballet back in business."
	Billy the Kid, Ella, Double Happiness, Les Noces, Les Biches	18/10/05
	Oakland Ballet	USA, Oakland, Calvin Simmons Theatre
	Reviewer: Jeanne Fogler	Inside Bay Area Homepage
	Dancers: Sheppard, Venturo, Williams, Tierney
	"...an evening of strong artistry, although presented on a platter that may have been slightly too full."
	Billy the Kid, Ella, Double Happiness, Les Noces, Les Biches	18/10/05
	Oakland Ballet	USA, Oakland, Calvin Simmons Theatre
	Reviewer: Michael Wade Simpson	San Francisco Chronicle Homepage
	Dancers: Jarrett, Venturo, Williams, Dugger III, Linzer
	"Oakland Ballet is back. After last year's financial problems led to the cancellation of the entire season and the layoffs of all the dancers, opening night of the 40th anniversary performances at the Calvin Simmons Theatre definitely had an emotional tilt."
	Les Noces, Firebird, Kansas City Orfeo	16/06/05
	Pascal Rioult	USA, New York, Joyce Theater
	Reviewer: Gia Kourlas	The New York Times Homepage
	Dancers: Gonzalez, Knight, Molina
	'Just as Bronislava Nijinska did in 1923 with her original seminal ballet about a Russian peasant wedding, Mr. Rioult explores a marriage rite. In his version, there isn't one bride and groom, but four of each, trapped between desire and a fear of commitment.'
	Cantata, Les Noces	13/05/05
	Compagnia Aterballetto	UK, London, Sadler's Wells
	Reviewer: Gavin Roebuck	The Stage Homepage
	Dancers: Daudel, Matteini, Oliveira, Ataljanc
	"They received numerous curtain calls and gave a short, free-moving, entertaining encore. Not a bad start for their first visit to Sadler’s Wells."
	Cantata, Les Noces	10/05/05
	Compagnia Aterballetto	UK, London, Sadler's Wells
	Reviewer: Clement Crisp	The Financial Times Homepage
	"Here's another bead on my rosary of sufferings at Sadler's Wells. ...A wholly unrewarding evening."
	Cantata, Les Noces	08/05/05
	Compagnia Aterballetto	UK, London, Covent Garden
	Reviewer: Jann Parry	The Observer Homepage
	Dancers: Daudel, Oliveira
	'Once (Bigonzetti) lets his performers be themselves as entertainers, they can take his ideas and run with them. He and they, though, need to find a technique of partnering that is other than brutal.'
	Cantata, Les Noces	07/05/05
	Compagnia Aterballetto	UK, London, Sadler's Wells
	Reviewer: Ismene Brown	The Telegraph Homepage
	'The vocabulary (of 'Les Noces') is designer-caveman: bruising acrobatics with bare feet, angular knees and elbows, jutting chins, and a lot of what you might call asking for trouble.'
	Cantata, Les Noces	07/05/05
	Compagnia Aterballetto	UK, London, Sadler's Wells
	Reviewer: Jenny Gilbert	Sunday Independent Homepage
	Cantata: "An improvised encore, not unlike the closing fiesta frolics in flamenco but obviously not faked, left the first-night audience on a spirited high."
	Cantata, Les Noces	07/05/05
	Compagnia Aterballetto	UK, London, Sadler's Wells
	Reviewer: Zoe Anderson	Independent Homepage
	'Compagnia Aterballetto made its Sadler's Wells debut with two energetically dreary ballets.... (in 'Les Noces')The dancers are.... put through wriggling duets and solos. They move with focus and attack, but this choreography just isn't going anywhere.'
	Cantata, Les Noces	05/05/05
	Compagnia Aterballetto	UK, London, Sadler's Wells
	Reviewer: Donald Hutera	The Times Homepage
	"...Aterballeto returns to our shores, in a fairly strong evening that shows the company off as attractive and sleek."

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